Eulàlia Bergadà Serra

Part of the following United Cowboys productions so far:
Burn - Seasoning -  In Case - The New Piece - Now and Then

Choreographer/ Director / Dancer / Teacher
(Palma - Mallorca, Spain- 3th of April 1985)

Graduate in classical and contemporary dance, post-graduate by IT Dansa company, graduate in Choreography from the CSD (Superior Dance Career) at the Institut del Teatre de Barcelona.
In 2015 she created her own company under her name where she stills working and she  choreographed and directed several pieces such as Flying Pigs premiered at the Graner and the Convent del Ángels of MACBA (Barcelona 2015), The Sinners (2016) and Gold Dust Rush with which she won the award “Premi Institut del Teatre” with a coproduction at Barcelona Festival Grec 2016 (Barcelona), Nixie (deep inside) within the INEXCHANGE program between Sala Hiroshima (Barcelona) and Dansbrabant (Tilburg, Holland), she is also the creator of Opening Projects a moving project based in different site-specific developed by several dance and music events. As a dancer she has worked on outstanding creations such as In Case and The New Piece by United Cowboys (Holland), El Canto de los Caballos by Lipi Hernández (Salmon Festival, Mercat de les Flors -Barcelona-), Half Past Four Under The Chandelier (Modul Dance Project -Mercat de les Flors-), Je suis l’autre by Mizar Martínez; Llena de flores mi boca by Miryam Mariblanca; Taiko by Ion Garnika (William Forsythe Company).
In the field of theater she has worked with directors such as Albert Mestres in Aquil·les o l’Estupor (Barcelona Festival Grec 2015), Xavi Martínez (Teatre Lliure and TNC among others), the company Corcada Teatre, Pablo Rosal, among others.
She is also dance teacher in different centers. 

“As a creator, I belive in the idea that the perfeormer is an expressive channel between the choreographer and the viewer, which requires creative involvement and capacity to transform the body in an autonomous level. The body is released to the images of the brain, meanwhile the mind and the imaginary build up their own rules to transform the infinite body mechanics to choreograph new specific forms for each work.
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